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Daniel Foley


FOUR SONGS OF AUTUMN (1974), song cycle for soprano (or tenor) and piano. Texts by J.R. Jiminez, G. Apollinaire, R.M. Rilke, Wang Weî.

FROM THE DIARY OF A MADMAN Op. 4 (1978), monodrama for bass-baritone and chamber ensemble. Text by Nikolai Gogol.

THE BELLS Op. 16 (1983), song cycle for tenor (or soprano) and piano. Text by E.A. Poe.

SALVE REGINA Op. 28 (1988), for unison voices and organ. Première: July 21, 1991, Matthew Larkin, organist, women's chorus of the Church of St. John the Divine, Victoria, British Columbia. PUBLISHER: Gordon V. Thompson, Don Mills, Ontario.

STABAT MATER Op. 36 (1991), for 3-part women's chorus and vocal soloists, with violin, viola, 'cello, bass and piano.

SONGS OF TWILIGHT Op. 35 (1991), song cycle for low voice and piano. Texts (5) by Walt Whitman.

L'AMOUR DU MENSONGE Op. 34 (1991), concert aria for soprano and piano. Text by Charles Baudelaire.

MID-WAY Op. 41 (1995, rev. 1998), for mixed choir and piano. Text by Cindy Arthurs.

MA DOVE SON TUTTI? Op. 49 (2001), concert aria for voice and soprano. Text by Charles Matz.
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